LA SCAPIGLIATURA
A "Pandemonium" to Change Art |
| Curated by Annie-Paule Quinsac |
| Palazzo Reale, Milan, June 26th - November 22nd - 2009 |
|
 |
| |
|
|
| Room 1 |
|
PICCIO: « an ‘artist of the future’, fifty years ago» |
| Room 2 |
|
THE SIXTIES: The Precursors |
| Room 3 |
|
THE SIXTIES: The elaboration of a new pictorial language: Ranzoni and Cremona |
| Room 4 (1) |
|
THE SEVENTIES: The brotherhood Cremona, Ranzoni, Gignous |
| Room 4 (2) |
|
THE SEVENTIES: The brotherhood Cremona, Ranzoni, Gignous |
| Room 5 (1) |
|
THE SEVENTIES: The «Cremonians» |
| Room 5 (2) |
|
THE SEVENTIES: The «Cremonians» |
| Room 6 (1) |
|
THE SEVENTIES: Giuseppe Grandi: birth of a painterly concept of sculpture |
| Room 6 (2) |
|
THE SEVENTIES: Giuseppe Grandi: birth of a painterly concept of sculpture |
| Room 7 |
|
THE EIGHTIES: Daniele Ranzoni’s estrangement |
| Room 8 |
|
THE EIGHTIES: The Cremonians and the new generations |
| Room 9 |
|
THE EIGHTIES: The Cremonians and the new generations |
| Room 10 |
|
THE EIGHTIES: The Scapigliata phase of the future Divisionist painters |
| Room 11 (1) |
|
1880-1894: Giuseppe Grandi and the Monument to the Five Days |
| Room 11 (2) |
|
1880-1894: Giuseppe Grandi and the Monument to the Five Days |
| Room 12 |
|
FROM 1880: The evolution of Scapigliata Sculpture |
| Room 13 |
|
A PARENTHESIS: The novel charm of the changing metropolis and the Scapigliati’s invention of cityscapes |
| Room 14 (1) |
|
THE NINETEES AND BEYOND: Toward an academism Scapigliato |
| Room 14 (2) |
|
THE NINETEES AND BEYOND: Toward an academism Scapigliato |
| Room 15 |
|
BEYOND SCAPIGLIATURA: The aesthetics of non finish and the creation of modern space |
|
| © Toni Garbasso |
